• Lalla Lalla Lola

    The lineup for Lollapalooza 09 was announced on Monday. Like every year, I get real excited when this comes out, but there are just a few things that tame this excitement:

    • With that many bands there are bound to be a bunch that I’ve heard of and would like to see, but $190 for the entire weekend?
    • Of the headliners, I could care less about Depeche Mode, Tool and Jane’s Addiction.
    • Of the bands that I am excited to see, there is going to be overlaps in playing times that are going to make seeing all of them impossible.
    • The “radius clause” has always bothered me.  It means that if I don’t pony up the money, I won’t see them for a while. (Not that I see many live shows anymore)
    • The argument made by some is that if there just 4 or 5 bands you want to see, the ticket pays for itself considering most concerts start at $50 these days.  That reasoning only makes sense if you think $50 is a good price for shows.  If you hate ticketmaster and ticket prices (that are only going to get worse), then paying for a Lollapalooza ticket is like taking that anger over paying for a $50 show and amplifying it by the 5 bands you want to see.
    • Finally, it was really fucking hot the last time I went.

    Sorry to sound like a cranky old man complaining about heat and money, especially when the decision to go will probaly be based soley on who else is going and if I have the money.  So of the couple other people that read this, is anyone else thinking about going?

  • Fat Beats For My Rhymes

    Ya’ll heard about this?  Kevin mentioned that NPR ran a story about the most popular drum sample, but all I could find was this post.  Its kinda long but interesting.  The first ten minutes explain how a 6 second drum “break” from ’69 was so widely used in the age of sampling while the rest makes a good argument against current copyright law.

    I’ve always enjoyed Tom Petty’s stance on infringement.  From an interview in Rolling Stone (which I also heard about from Kevin): “…I seriously doubt that there is any negative intent there. And a lot of rock & roll songs sound alike. Ask Chuck Berry. The Strokes took “American Girl” [for their song “Last Nite”], and I saw an interview with them where they actually admitted it. That made me laugh out loud. I was like, “OK, good for you.” It doesn’t bother me.”